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Watch tutorial 4 on YouTube

The script in 90 seconds: the script, the series config and the prompt side by side.
Every shot in seriesmith is a few lines of a markdown script, epNN.md, and every person and place in it is described once in the series config, series.json. The build turns the two into what each video model is told. This tutorial writes a shot by hand, explains each line, and then edits the same shot in the editor. The example is Dean and the Grumpy Star-Horse (a 2D storybook episode on MiniMax H3). The authoring guide is the full format.

1. Make the episode’s two files

1

Make an episode to write into

In the editor: Project folders (the episode dropdown → Browse and add new…) → the show’s folder → New episode… (or New series/project… for a new show). Or from a terminal:
Either writes a series.json and a script that build, to change into your own.
2

Open the script

In the Shots toolbar, the file-edit icon opens the Script window: the episode’s epNN.md as text. The book icon opens series.json the same way; the cog opens it as a form (Series settings). Ctrl+S saves either window.

2. A shot, line by line

Here is one shot, and the sequence header it sits under:
Write each line in this order, one per line:
1

# sq02 purple_beach: the sequence

A sequence happens in one place. The word after its id is a location’s key in the series config, where the place is described and its plate picture named. Every shot under it is there unless it says otherwise.
2

## sh040: the shot

Every ## is a cut: one shot, one clip. Number shots in tens (sh010, sh020) so there’s room to add sh015 later. The id also sets the shot’s random seed, so a re-render of an unchanged shot is the same take.
3

who: the people in it

Characters’ keys, in order. Each one’s picture goes in with the prompt (“Exactly two characters appear in this shot…”). Props go on a with: line after it.
4

size: how close

From extreme close-up to extreme wide: ecu, cu (or close), mcu, medium, cowboy, mws, full, wide, ews, or an angle: pov, ots, low, high. Cowboy is mid-thigh up, and the prompt says so.
5

dur: how long

Seconds (dur: 4), or auto: as long as the shot’s dialogue takes to say. Each model renders on its own frame grid, so the length is rounded to it.
6

plate: the picture behind them

Optional. Without it, the shot uses the sequence’s location. A closer angle of a place can be a location of its own, named here.
7

The action

Any line that isn’t a field is the action: what we see, in the present tense, plainly, as you’d tell a camera crew. Say where people are in the frame (“from frame right”).
8

camera: one move

In plain words, without “The camera”: pushes in at slow speed, pans left, holds a static shot. It becomes “The camera pushes in at slow speed.”
9

LANI: a line

The speaker’s key in capitals, as in a screenplay, then the words. How the voice sounds is the character’s voice in the series config.
10

sound: what we hear

The scene’s sounds besides the lines: ambience and the sounds of the action.

3. The series config behind it

The script names people and places by key; series.json says once what they look like, and the build says it in every shot they’re in. That’s why Dean looks like himself throughout.

4. A few more lines

  • (V.O.): heard, not seen. The narrator is a character with a voice and no picture. (O.S.) is off-screen but in the scene.
  • music:: the score, under the scene. Leave it out for none.
  • (whisper): how a line is said. Any short direction works: (breathless), (flat).
  • extras:: people in the background, described so they don’t look like your cast.

5. Check and build

1

Save

Ctrl+S in the Script window. A copy of the old script goes into the episode’s _history/.
2

Build

Press Build on the episode’s card. It compiles every shot for both passes and lists any warnings (a line too long for its shot, a name the series config doesn’t have). From a terminal: seriesmith check Shows\ep01, then seriesmith build Shows\ep01.

6. The same shot, in the editor’s form

1

Edit shot

Select sh040 and press the pencil in the Shots toolbar (or right-click → Edit shot…). The form is the same lines as fields. Beside it is What the model is told: the prompt, compiled as you type, with the dialogue’s pace against the shot’s length.
2

Change the framing

Pick Framing from its list (medium → cowboy): the prompt’s opening changes with it.
3

Change the action

Type into What happens (Dean looks at her in awe.): the words appear in the prompt.
4

Save

Save writes only this shot’s lines into the script, keeping your comments, and rebuilds. Save and generate also queues a take.
A line too long for its shot shows in the form’s pace line and in the build’s warnings. Lengthen the shot (dur:), set dur: auto, or cut words: a line has to fit the seconds it’s given.

Next

5 · References

What the model is told, done. Next: the pictures it’s shown.

Writing an episode

Every field, the frame grids, and how to break a scene into shots.